Studio Lock is a locker reservation and portfolio-tracking app concept built for University of Tampa art and design students, who need a reliable way to store and transport in-progress work between studios on campus. Students can reserve a free locker near their studio, unlock it with a QR code or backup PIN, and track the exact status and condition of stored pieces — including environmental alerts for humidity-sensitive materials like unsealed canvases.
For a University of Tampa branding project, the brief was to take a company that had actually gone bankrupt and rebuild its identity from the ground up. I chose Aloha Airlines — the real Hawaiian carrier that ceased operations in 2008. Rather than repeat the airline's old identity, I built a new sun-and-color mark, a tropical aircraft livery inspired by native Hawaiian flora, and a redesigned booking website aimed at higher-value travelers seeking a genuine "island connection," not just the cheapest seat.
A packaging redesign project for Little Debbie's Swiss Rolls. The original box gets lost in the snack aisle — it competes with brighter, louder competitors and reads dated next to newer snack brands, without doing much to signal what's actually inside. I rebuilt the packaging around bold, editorial typography and a cleaner color-coded system across three flavors (Original, Strawberry Shortcake, and Pumpkin Spice), then took it from structural sketches through hand-built paper prototypes before final photorealistic renders.
Freshman year, I built the brand identity for Charge, an energy drink startup founded by a group of Entrepreneurship students. The concept centered on a simple wordmark-and-plug mark that could scale from a can label to a billboard without losing legibility, then carried it across the full brand system — packaging, social presence, out-of-home advertising, and vehicle wraps — so the brand looked consistent.
Card Shark is a family card game I designed sophomore year, built around a simple idea: give a family-oriented dad something fun enough to actually pull everyone away from their phones. Players compete to collect the most cards while bluffing and reading each other — equal parts bold moves and deception, just like a shark on the hunt. The box was designed to work as both the game's rulebook and its own advertisement on a shelf.
Meet Tristan Tarus — a Long Island native and dedicated graphic designer who recently graduated from the University of Tampa, specializing in creating visually appealing designs that effectively convey messages.
Passionate about transforming concepts into impactful visuals that resonate with audiences and enhance brand identities.
Whether it's a full brand system or a one-off poster, I want to hear about it. Let's make something together.